Publications

Journal – Guest Editor

Marcelo M. Wanderley and Joseph Malloch – (guest editors). Advances in the Design of Mapping for Computer Music. Computer Music Journal, 38(3), August 2015.

Peer Reviewed Journal Articles

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. “Distributed tools for interactive design of heterogeneous signal networks”. Multimedia Tools and Applications, 73(2),  2014.

Book Chapters

Joseph Malloch and Marcelo Wanderley. “Embodied Cognition and Digital Musical Instruments: Design and Performance”. To appear in Micheline Lesaffre, Marc Leman and Pieter-Jan Maes, eds. The Routledge Companion to Embodied Music Interaction, Routledge, 2017.

David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. “Towards a Dimension Space for Musical Devices”. In Alexander Refsum Jensenius and Michael Lyons, eds. NIME Reader, Springer Verlag, upcoming (2016).

Joseph Malloch, Stephen Sinclair, Avrum Hollinger, and Marcelo M. Wanderley. “Input Devices and Music Interaction”. In Jorge Solis and Kia Ng (Eds.): Musical Robots and Interactive Multimodal Systems. Springer Tracts in Advanced Robotics, Vol. 74. Berlin: Springer-Verlag, 2011.

Theses

Joseph Malloch. “A Framework and Tools for Mapping of Digital Musical Instruments”, Ph.D. thesis, Music Technology, McGill University, Montréal. Thesis defended on November 4, 2013.

Joseph Malloch. “A Consort of Gestural Musical Controllers: Design, Construction, and Performance”. M.A. thesis, Music Technology, McGill University, Montréal. August 2007.

Peer Reviewed Articles in Revised Conference Proceedings

Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. “Gesture Control of Sound Spatialization for Live Musical Performance”. In M. S. Dias, S. Gibet, M. M. Wanderley, and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation, LNCS 5085. Berlin Heidelberg: Springer Verlag, pp. 227–238, 2009.

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. “A network-based framework for collaborative development and performance of digital musical instruments”. In R. Kronland-Martinet, S. Ystad, and K. Jensen (Eds.): CMMR 2007, – Proc. of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401–425, 2008.

Peer Reviewed Article in Conference Proceedings

Jessalyn Alvina, Joseph Malloch, Joanna McGrenere and Wendy E. Mackay. “Expressive Keyboards: Enriching Gesture-Typing on Mobile Devices.” To appear in UIST ’16: Proceedings of the ACM Symposium on User Interface Software and Technology, Tokyo, Japan, 2016.

Jeronimo Costa, Joseph Malloch, Marcelo M. Wanderley and Stéphane Huot. “What does ‘Evaluation’ mean for the NIME Community?” In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME2015), Baton Rouge, USA, 2015.

Ian Hattwick, Joseph Malloch, and Marcelo M. Wanderley. “Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments”. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME2014), pp. 443–448, London, UK, 2014.

Marije A. J. Baalman, Vincent De Belleval, Joseph Malloch, Joseph Thibodeau, Christopher Salter and Marcelo M. Wanderley. “Sense/Stage – Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments”. In Proceedings of the International Computer Music Conference (ICMC), pp. 242–249, New York, USA, 2010.

Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. “The CIRMMT/McGill Digital Orchestra Project”. In Proceedings of the International Computer Music Conference (ICMC09), pp. 295–298, Montreal, Qc., Canada, 2009.

Fernando Rocha, and Joseph Malloch. “The Hyper-Kalimba: Developing and Augmented Instrument from a Performer’s Perspective”. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 25–29, 2009.

Otso Lähdeoja, Marcelo M. Wanderley, and Joseph Malloch. “Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects”. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 327–330, 2009.

Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. “Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork”. In Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME09), pp. 131–134, Pittsburgh, USA, 2009.

Georgios Marentakis, Joseph Malloch, Nils Peters, Mark T. Marshall, Marcelo M. Wanderley, and Stephen McAdams. “Influence of performance gestures on the identification of spatial sound trajectories in a concert hall”. In Proceedings of the The 14th International Conference on Auditory Display (ICAD 08), Paris, France, 2008.

Alexander R. Jensenius, Nicolas Castagné, Antonio Camurri, Esteban Maestre, Joseph Malloch, and Douglas McGilvray. “A summary of formats for streaming and storing music-related movement and gesture data”. In Proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 125–128, 2007.

Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. “Non-conscious control of sound spatialization”. In Proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 377–380, 2007.

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. “From controller to sound: Tools for collaborative development of digital musical instruments”. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, pp. 65–72, 2007.

Alexander R. Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph Malloch, Douglas McGilvray, Diemo Schwarz and Matthew Wright. “Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture Data”. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, pp. 13–16, 2007.

Joseph Malloch, and Marcelo M. Wanderley. “The T-Stick: From Musical Interface to Musical Instrument”. In Proceedings of the 2007 International Conference on New interfaces for Musical Expression (NIME07), New York, USA, pp. 66–69, 2007.

Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Eliot Sinyor, and Julien Boissinot. “SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers”. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 180–183, 2006.

Denis Lebel, and Joseph Malloch. “The G-Spring Controller”. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85–88, 2006.

Joseph Malloch, David Birnbaum, Eliot Sinyor, and Marcelo M. Wanderley. “Towards a new conceptual framework for digital musical instruments”. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, pp. 49–52, 2006.

David Birnbaum, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley. “Towards a Dimension Space for Musical Devices”. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, Canada, pp. 192–195, 2005.

Extended Abstracts in Conference Proceedings

Marcelo Wanderley, Stéphane Huot, Joseph Malloch, Jérémie Garcia, Wendy Mackay and Michel Beaudouin-Lafon. “Human Computer Interaction meets Computer Music – The MIDWAY Project.” To appear in Proceedings of the ACM SIGCHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA 2016), San Jose, USA, 2016.

Simon Holland, Andrew McPherson, Wendy MacKay, Marcelo Wanderley, Michael Gurevich, Tom Mudd, Sile O’Modhrain, Katie Wilkie, Joseph Malloch, Jérémie Garcia, Andrew Johnston. “Music and HCI Workshop.” To appear in Proceedings of the ACM SIGCHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA 2016), San Jose, USA, 2016.

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. “Libmapper (A Library for Connecting Things)”. In Proceedings of the International Conference on Human Factors in Computing Systems (CHI EA 2013), Paris, France, pp. 3087–3090, 2013.

D. Andrew Stewart, and Joseph Malloch. “Everybody to the power of one, for soprano T-Stick”. In Proceedings of the International Conference on Human Factors in Computing Systems (CHI EA 2010). ACM, New York, NY, USA, 3093–3096, 2010.

Abstracts in Conference Proceedings

Joseph Malloch and Marcelo M. Wanderley. “Conceptualization of Digital Musical Instruments”. Presented at The Ghost in the Machine: Technologies, Performance, Publics, Montreal, Canada, 2011.

D. Andrew Stewart and Joseph Malloch. “Concurrence and Counteraction in Musical Gesture and Form”. Presented at the 3rd International Conference on Music and Gesture, Montreal, Canada, 2010.

Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. “Gesture Control of Sound Spatialization”. Presented at the 2007 International Gesture Workshop, Lisbon, Portugal, 2007.

Unpublished Technical Reports

Joseph Malloch and Stéphane Huot. “Bridging Configuration Tools for Interactive Systems: ‘Input Configurator’ (ICon) and libmapper”. Technical Report, Digipods Project, Université Paris-Sud & CNRS (LRI), Inria, 2014.

Ian Hattwick, Joseph Malloch and Marcelo M. Wanderley. “Use of 3D Printed Components in the Creation of the Prosthetic Instruments”. Technical Report, Input Devices and Music Interactions Laboratory, McGill University, 2013.

Stephen Sinclair, Joseph Malloch and Sofian Audrey. “e[merge] work report”. Technical Report, Input Devices and Music Interaction Laboratory, McGill University, 2012.

Joseph Malloch. “Building a Soprano T-Stick”. Technical Report, Input Devices and Music Interaction Laboratory, McGill University, 2010.

Joseph Malloch. “Adding Vibrotactile Feedback to the T-Stick Digital Musical Instrument”. Technical Report, Music Technology Area, McGill University, 2007.

Joseph Malloch. “Mapping and routing OSC messages in the IDMIL”. Technical Report, Music Technology Area, McGill University, 2007.

Joseph Malloch. “The T-Stick Gestural Controller”. Technical Report, Music Technology Area, McGill University, 2006.

Joseph Malloch, “Beat and Tempo Induction for Musical Performance”.  Technical Report, Music Technology Area, McGill University, 2005.

Joseph Malloch, “The Celloboard – A Physical Interface for Music-Making”. Technical Report, Music Technology Area, McGill University, 2004.

Video Tutorials and Documentation

Joseph Malloch. “Using multiple inertial measurement units (IMUs) for tracking orientation and deformation”. Video documentation, Input Devices and Music Interaction Laboratory, McGill University, 2012.

Joseph Malloch. “Implicit mapping with libmapper and MnM”. Video tutorial, Input Devices and Music Interaction Laboratory, McGill University, 2012.

Joseph Malloch. “DOT mapper + Jamoma”. Video tutorial, Input Devices and Music Interaction Laboratory, McGill University, 2009.

Joseph Malloch and Anthony Piciacchia. “Mapping musical instruments using the Digital Orchestra Tools”. Video tutorial, Input Devices and Music Interaction Laboratory, McGill University, 2009.